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Art Basel Online Viewing Room
Art Basel Online - Liliane Tomasko | Kathy Prendergast | Isabel Nolan
Liliane Tomasko
Liliane Tomasko’s abstract paintings have long explored our various emotional and physiological states, the latency of our dreamworld and the power of our memories. These new works, made during 'lockdown' continue this exploration with an intensity of energy, bold lyricism, and Tomasko's distinctive unabashed sense of colour. Under the collective title ‘Hold on to yourself’ these paintings echo the 2008, Nick Cave and the Bad Seeds' song of the same name that cries out for a future where one can lie down with and hold another person again.
Kathy Prendergast
Kathy Prendergast has persistently and poignantly explored identity, landscape, mapping and power through work that is finely crafted, multi layered and speaks with rich evocation to universal concerns of love and loss. For Art Basel online we are delighted to present Prendergast's 1998 photographic work 'The Endless Goodbye', the monolithic 'Interior with Light' created 20 years later and the powerful bronze work Embrace’, started in 2010 but revisited in recent months to reflect, perhaps, a new urgency for understanding our common humanity.
Isabel Nolan
There is a delicate and awkward tenderness at the heart of Isabel Nolan’s work. These new paintings describe fragile relations between humans, nature and the Sun. Hands twist and creep, signalling, reaching out, or simply stretching as the world comes in and out of focus. The Sun too seems to reach back, soothing and warming us with its ‘tender beams’. In other paintings the same sun seems to drip with burning heat and light. Familiar imagery gives way to abstraction: landscapes or cities seem to have melted and dissolved under its inescapable influence. Nolan’s recent focus on painting continues with the themes familiar from her sculpture and writing, in particular the deep strangeness of the world and our complicated relationship with it.
Liliane Tomasko
Hold on to Yourself: 5/18/2020
2020
Acrylic and acrylic spray on linen
160.02 x 160.02 cm / 63 x 63 in
LT3789
Liliane Tomasko
Hold on to Yourself: 3/26/2020
2020
Acrylic on linen
172.7 x 157.5 cm / 68 x 62 in
LT3784
Liliane Tomasko
Hold on to Yourself: 4/28/2020
2020
Acrylic and acrylic spray on linen
61 x 45.7 cm / 24 x 18 in
LT3778
Liliane Tomasko
Hold on to Yourself: 5/1/2020
2020
Acrylic and acrylic spray on linen
50.8 x 40.6 cm / 20 x 16 in
LT3781
Liliane Tomasko
Hold on to Yourself: 4/29/2020
2020
Acrylic and acrylic spray on linen
61 x 45.7 cm / 24 x 18 in
LT3779
Kathy Prendergast
Embrace
2010 - 2020
Bronze, unique
30 x 25 x 31 cm / 11.8 x 9.8 x 12.2 in
KP16510
Kathy Prendergast
The Endless Goodbye
1998
diptych, black and white photographic print, edition of 3 + 1AP
12.5 x 10 cm / 4.9 x 3.9 in (each, image size)
24.5 x 21 cm / 9.6 x 8.3 in (each, framed size)
KP32298
Kathy Prendergast
Interior with Light
2018
Wood, paint, museum Plexiglas
210.8 x 182.9 x 91.5 cm ./ 83 x 72 x 36 in
KP31518
Isabel Nolan
View (back turned)
2020
waterbased oil on canvas, hand-gilded 24 carat gold and painted clay frame
60 x 80 cm / 23.6 x 31.5 in
62.5 x 82.5 x 4.9 cm / 24.6 x 32.5 x 1.9 in (framed)
IN45020
Isabel Nolan
Sunset
2020
waterbased oil on canvas, hand-gilded 24 carat gold and painted clay frame
40 x 50 cm / 15.7 x 19.7 in
42.1 x 52.3 x 4.9 cm / 16.6 x 20.6 x 1.9 in (framed)
IN44820
Isabel Nolan
View (all that is left)
2020
waterbased oil on canvas, hand-gilded 24 carat gold and painted clay frame
70 x 90 cm / 27.6 x 35.4 in
72.5 x 92.5 x 4.9 cm / 28.5 x 36.4 x 1.9 in (framed)
IN44720
Liliane Tomasko (b. 1967, Zurich) has had solo shows at Chateau la Costa, France, (2019); Kerlin Gallery, Dublin, (2019); Museo MATE, Lima (2018); Rockland Center for the Arts, New York State (2018); Kunstwerk, (two-person exhibition with Sean Scully, Sammlung Klein, Germany (2017); Lowe Art Museum, Miami and Phoenix Art Museum, Arizona (both 2015);. Tomasko's work was included in Abstract Painting Now! in Kunsthalle Krems, Austria, (2017). Public collections include The Albertina, Vienna; Hilti Art Foundation, Liechtenstein; Kunstmuseum Bern, Bern; Virginia Museum of Fine Arts, Richmond; Staatliche Graphische Sammlung, Munich; Hugh Lane Gallery, Dublin and Kunstsammlung Nordrhein-Westfalen, Düsseldorf.
Kathy Prendergast (b. 1958, Dublin) represented Ireland at the 46th Venice Biennale, 1995, for which she won the prestigious Premio Duemila Prize. In the 25 years since she has had significant shows at Kunst-Station St. Peter, Cologne (2019); Douglas Hyde Gallery, Dublin, Ireland (2006 and 2016); Crawford Art Gallery, Cork, Ireland (2015); The Irish Museum of Modern Art (2000) and Tate Britain (1997). Her ambitious 'Atlas' installation first shown at Kerlin Gallery, 2016 has been shown at MoMA Oxford (2018) and as part of the 2017 Yokohama Triennale. Public collections include Tate, London; the Cheekwood Museum of Art, Nashville; Santa Barbara University Museum; the Albright-Knox, Buffalo; the Contemporary Museum, Honolulu; The Hugh Lane, Dublin and the Irish Museum of Modern Art, Dublin.
Isabel Nolan (b. 1974, Dublin) represented Ireland at the 51st Venice Biennale as part of a group exhibition, Ireland at Venice 2005. In recent years solo shows include Kunstverein Langenhagen, Germany, (2018); London Mithraeum Bloomberg SPACE, (2017–18); Grazer Kunstverein, Graz, (2017–2018); Douglas Hyde Gallery, Dublin (2017); Mercer Union, Toronto (2016); CAG, Vancouver (2016); Irish Museum of Modern Art, Dublin (2014) and Musée d’art moderne de Saint Etienne, France (2012). Public collections include Tate, London; The Hugh Lane, Dublin; Irish Museum of Modern Art, Dublin and Salama bint Hamdan Al Nahyan Foundation, Abu Dhabi. In late 2020 Launchpad and Kerlin Gallery will publish a survey of the last 10 years of Nolan's work which includes over 20 of the artist's writings.